Happy hardcore anthem

You all know happy hardcore right? A genre filled with chipmunk vocals, nursery rhyme synth riffs and adoring fans who all once owned a Vauxhall Nova SRi. Happy hardcore stemmed from what was known as hardcore and to a certain extent many of the releases between to still contained elements of both hardcore and jungle. The music moved on, borrowing elements from techno and gabber including a faster BPM and somewhat sentimental vocals that are still seen today in the guise of UK hardcore. The market quickly became flooded with copycat tunes making it a real struggle to find good quality releases in the abundance of nonsense.

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Happy hardcore

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The Sound of Happy Hardcore on Spotify

Set up your profile to see when friends have played an album or playlist. Sign In. Open in iTunes. Play Shuffle. Wonderful Days. Rotterdam Termination Source.
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More by The Sounds of Spotify

Happy hardcore , also known as 4-beat or happycore , is a music genre of hard dance. It emerged both from the UK breakbeat hardcore rave scene , and Belgian , German and Dutch hardcore techno scenes in the early s. In the UK, the breakbeat hardcore rave scene was beginning to fragment by late into a number of subsequent genres: darkcore tracks embracing dark-themed samples and stabs , hardcore jungle reggae basslines and influences became prominent , and 4-beat also known as happy hardcore where piano rolls and uplifting vocals were still central to the sound. In the UK, happy hardcore as it had become known was starting to gain popularity alongside jungle by , often being hosted in the second arena at major raves such as Dreamscape and Helter Skelter held at the Sanctuary Music Arena.
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It was released in on American breakbeat label Moonshine Music and is the first series in Frolic's Happy 2b Hardcore series of DJ mix albums, documenting the emergence of happy hardcore music in the United Kingdom and Europe. The album was conceived to introduce American audiences to happy hardcore, and contains sixteen of the genre's anthems which carry many of happy hardcore's defining characteristics, such as fast tempo, frantic breakbeats, major key tonality, off-kilter, quirky keyboard effects and "semi-melodies. Moonshine had modest anticipations for the album and their numerous promotional campaigns involved arranging for Frolic to promote the album on radio, a "whirlwind" of attention which took Frolic by surprise.
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